workspace
I am an interdisciplinary artist and printmaker, living in Vermont since 1994. Inspired by the natural landscape I use imagination and memory to look beyond realism to make a statement about the pastoral landscape tradition in the 21st century. Contact: Please view my complete profile below. All work copyright Phillip Robertson 2005, 2006, 2007, 2008, 2009, 2010 2011 and 2012.
Tuesday, May 22, 2012
Monday, May 21, 2012
Bould Beach
May 20, 2012
Pen on paper
4.25x5.75"
Took the family to Groton State forest this Sunday and we actually went swimming in the lake. Made this sketch in the sun while the boys played in the sand.
Accidentally left my pencils at home,
perfect day at boulder beach,
thank the Gods,
for technical pens.
Big Deer Mountain.
Friday, May 18, 2012
Tritium Leaks
May 17, 2012
Pencil on paper
4.5x6.75"
Back in 2007-8 I had an idea at the end of my graduate studies at Goddard College about sketching VT Yankee and using the drawing as a springboard for a series of prints and paper constructions. After almost five years I used a vacation day and took a two-hour drive down to southern NH to make a 20 minute sketch.
It could not have been a more beautiful day and I actually had to hunt for a place to sketch by using Google maps and was pleased to find a nature trail along the NH side of the Connecticut River, across from the power plant. There is this contradiction of sketching in the spring-time bounty that is VT across from a symbol of what is to me, the nearsighted corporate greed that is rampant though out this country.
How many accidents do we need before it is shut down?
Monday, May 14, 2012
Thursday, March 08, 2012
Sabin's Pasture No. 1
March 7, 2012
Monotype
6"x9"
For my first monotype in a few months i was really pleased with this one as a first effort. I have been contemplating how to created some work that has a new feel and like the methods I used last night.
I plan to meet with a fellow printmaker at SPA in Barre once a month and hope to create a new body of landscapes, but need to get out and make some drawings for new source material over the next few weeks.
Sabin's Pasture No. 2
March 7, 2012
Monoprint
6"x9"
This one was a good learning experience as I should have been watching my plate better. I could see the copper coming through the color and should have known that those little dabs of plate would print white.
I may work into this over the weekend with some watercolor as I think this is a strong print.
















