workspace
I am an interdisciplinary artist and printmaker, living in Vermont since 1994. Inspired by the natural landscape I use imagination and memory to look beyond realism to make a statement about the pastoral landscape tradition in the 21st century. Contact: Please view my complete profile below. All work copyright Phillip Robertson 2005, 2006, 2007, 2008, 2009, 2010 2011, 2012, 2013, 2014, 2015 and 2016
Monday, January 23, 2006
Friday, January 20, 2006
Autumn Morning (ghost)
January 19, 2006
Alumnium Monotype
5"x7"
I reworked the ghost print on a sheet of the Hahnemuhle Copperplate paper and came up with interesting results. The print is not my best but the better quality paper seems to take the ink in a completely different way. It is almost more silky and really captures the plate tone with great sensitivity.
Wednesday, January 18, 2006
Barr Hill in Winter
January 14, 2006
Aluminum Monotype
5"x7"
For this print I used a student grade etching paper instead of the Hahnemuhle Copperplate that I used all of last semester. The paper is a little yellow compared to the bright white paper I had been using. But the most interesting difference is that the student grade paper does not pick up the subtle plate tone in the same way as the more expensive paper. Besides the difference in printing due to the paper I am pleased with this little print. I may try to use this image again and work on creating more detail in the bare limbs of the trees.
Monday, January 09, 2006
Friday, January 06, 2006
Woodbury Mountain, Proof 3
January 4, 2005
Woodblock Print on Rice Paper
3.5"x6"
The key block is almost ready for me to move on to the next phase of this print. I will prep a piece of easy-cut for the color block and experiment with watercolors on one of these proofs before I start carving again. I will also fix a couple of small "open" areas with wood putty before I try to pull a small full-color edition.
Thursday, January 05, 2006
Church by the River, Woodblock Sketch
January 5, 2006
Cherry Woodblock and Permanent Marker
5"x7"
I transferred this drawing directly to the block from a copy of a monotype and it produced an interesting result. The areas that will be printed in black have been abstracted in the process from drawing, to monotype and finally to the block. It will be fun to see how it prints when carved.